HORN ERU BEYGJUR / CORNERS ARE CURVES (that is why we walk into them) (Ísafjörður, Iceland, 2017)

My month-long residency at ArtsIceland in Ísafjörður, during February 2017, manifested as a series of inspiring sonic encounters. Between the surrounding landscape – both monumental and fluid – and its people, I was allowed to weave my own life rhythms, being guided, welcomed, playfully challenged, and above all, engaged and engaging with full curiosity.

HORN ERU BEYGJUR / CORNERS ARE CURVES is a surround installation/sound composition that knits together some of these sonic encounters. It is composed of manipulated field recordings taken in different environments in Ísafjörður, both private and public spaces, including that strangely simultaneously public and intensely private space, the acoustic of the fjord landscape itself.

The sound collecting and composition process was guided by the awareness of the site-specific acoustic properties of the area, together with intense dialogue and shared experiences with some of the local inhabitants. It was presented as a live mixed quadraphonic (4 channel surround) sound installation at Edinborgarhúsið Cultural Centre, followed by a group walk and an improvised choral encounter at Gallery Outvert.

 

 

The title refers to the geography of the fjords, its corners turning into curves, its play of seemingly both challenging and inviting navigation – hard on the body and freeing in the soul. It refers also to my own shared internal landscape as a human, how past and present struggles strengthen conviction, how life and wonder shun straight lines.

 

 

This residency was made possible by financial support from the following institutions:

KON_swed_arts_grants_committee_stor_150dpi.jpg

mobility_programme_horizontal-1 kopi