A word written on a wall in an old brewery, in a small town in Sweden. A long re-sampled soundscape reaching for the 10 bpm un-lifelike rhythm offered to bodies of abandon. Vocal intimacy as undertow, the slowing down of the “impact of lighted bodies” in Mina Loy’s words. Slow but not tame, percussive but not uplifting. Maybe.
(Photo credit: Eduardo Abrantes, Berlin 2017)