OPKALD OG SVAR (Copenhagen, Denmark, 2017)

Ofte, både i min egen lydkunst og i andre kunstneres, mærker jeg lyde som håndgribelige bevægelser i rummet. En af de mest bemærkelsesværdige, mystiske og alligevel almindelige af disse, skal jeg nævne opkald og svar.
Når du siger ”hej” til nogen, du kender, og de svarer tilbage. Når to skibe blæser deres tågehorn, mens de sejler nær. Når alarmen på en mikrobølgeovn bringer dig tilbage til køkkenet, og dine skyndte trin stepper på gulvbrættet. I musikalsk kontrapunkt. Overalt i naturen under parringssæson.
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Often, both in my own sound work and other artists’, i experience sound as tangible movement in space. One of the most common yet mystifying categories of this movement is “call and response”.
When you say “hello” to someone, and they answer back. When two ships blow their foghorns while passing close. When a microwave alarm brings you back to the kitchen, your steps resounding on the wood floor. In musical counterpoint. Everywhere in nature under breeding season.

Appropriately to its title, Opkald og svar (“Call and response”) was inspired by an invitation to participate in an Æstetisk Salon session, themed “Interaktion – Reaktion”, an artistic research sharing/presentation/dialogue platform created and curated by Camille Roth and Linh Le. Opkald og svar was presented as both a two channel stereo field sound composition and a co-created collective performance, taking place at private apartment situated in Nørrebro, Copenhagen, on October 2017. In its performative phase, the public was invited to divide in two groups, the first venturing out and exploring the acoustic space of the private home by find a call-sound to respond to. The second group would, after a few minutes, also venture out and try to individually position itself in relation to the mid-points of call and response defined by the individual members of the first group, adding their own intermediate sound to the ongoing play. The result was a playful collaborative exercise in sound exploration, active listening, and performative engagement. 

(Photo credit: Eduardo Abrantes, Copenhagen 2017)